Hey, I'm back!! And glad to be back too...
This has been an absolutely stellar day to be off work and to have access to TCM on TV. I've been able to spend the bulk of the day sewing and wallowing in classic Hollywood. This morning TCM ran a documentary on pre-code Hollywood called "
Complicated Women". I'd seen this one before but it definitely merited another viewing. This was followed by a documentary on Rita Hayworth, then one on Louise Brooks, then Clara Bow, and finally they turned up the real-life melodrama to the max with an hour on Lana Turner. Stellar is the word for it all, n'est pas?
The film on Louise Brooks was especially interesting--I hadn't known much about the details of her life beyond her fabulous
hairdo, which would look edgy and stylish even today. She was another of the emancipated women of early Hollywood who eventually Paid and Paid Dearly for her choices. Very tragic but fun for wallowing. I think Hollywood of the twenties and thirties was WAAAAY more interesting than the Hollywood of today, but that's just my opinion.
OK--here comes the fiber content. Happy-happy!
Back in my days at the quilt-shop-and-Bernina-dealer-which-will-remain-nameless, I had the great good sense to purchase a pattern that over the years has been my best sewing friend ever. It's a tiered skirt pattern that was half-heartedly marketed by Bernina about a decade ago.

The illustration has absolutely no cachet or glamour whatsoever. These illustrations weren't even vaguely fashionable-looking in the mid-nineties either, when I bought the pattern. In fact, it's almost like they were trying to convince you NOT to buy it. It looks like something that would yield the look of "loving hands at home", as my favorite boss from my Display years used to put it. The sewer had to make use of all readily available imagination.
But take it from me, it's a GREAT pattern.
It would be absolutely no fun at all to make without a serger, involving as it does yards and yards and YARDS of gathering. But a serger with differential feed makes short work of it all, and it's even shorter work with a gathering attachment for the serger, which allows you to gather one edge of fabric and sew it to another piece of fabric which is not gathered. All in one operation.
My searches don't turn up any evidence that the pattern is still in print, which certainly shows poorer business acumen than I would have expected of Bernina. I have a lot of respect for Bernina, but they may have missed the boat on this one. And with all the tiered skirts showing up at stratospheric price points this spring?? I hope the pattern designers, Laurie Pat McWilliams and Chris James, know what a gem this is. And even more important, I hope they own the rights to it. But I bet they don't.
Anyway, last fall during Wildcat Week, I found a couple coordinating batik prints at Heartstrings Quilts and Fabrics in Eagle River, Wisconsin, and those fabrics have been earmarked for one of these skirts since the day I bought them.

Today was the day, and this great skirt represents ONE AFTERNOON'S work. Love it!

I now own EIGHT of these skirts. They work out especially nicely in a fabric with a bit of weight--two of mine are made of crinkled rayon which swings and moves with grace and an appealing swisssssh. But the real beauty part is that each succeeding tier is gathered onto the tier above, meaning that the tier at the top is not terribly full. For those of us with ample hips, all that lovely fullness is swinging at the bottom, and isn't adding anything to hipline girth.

There is absolutely everything to love about all this. And the icing on the cake is that.....drum roll here..... it's a finished project.